劇情:
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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Carlo Aquino Gio Gahol 多莉·德萊昂 Christela Marquez Jeremy F. Mendoza Jeydah Cawed Joshua Cabiladas Janzeil Siachongco Willy Malit Gina Mian Red Musni Anna Marie Mendoza Anna Velario Armando Salonga Clarisse Grajo 丹·維勒加斯 Eero Yves Francisco Emmanuel Salulog H
埃裡克在菲律賓過著相當普通的生活,擔任動畫師。他住在一個不錯但有些髒亂的公寓裡,有一份收入不錯的工作,還有一個他喜歡的人。然而,埃裡克最顯眼的特點是他沒有嘴,字面意義上的沒有嘴。一天,他接到了母親
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詹姆斯·洛林茲 Joanne Ritchie 帕蒂·馬倫 J.J. Clark Carissa Channing Shirl Bernheim Judy Grafe Helmar Augustus Cooper 露易絲·拉塞爾 John Zacherle Charlotte J. Helmkamp Kimberly Taylor 雪莉·斯托勒 Joseph Gonzalez Ari M. Roussimoff 詹妮弗·德羅拉 Lia Chang Heather Hunter 大衛·李普曼 Avind Ha
醫學院學生傑弗裡沉迷於研究一些稀奇古怪的實驗,在一次生日聚會上,傑弗裡的未婚妻謝莉失誤操作他發明的割草機不幸被割的得血肉橫飛成了一堆人肉沙拉,傑弗裡痛苦欲絕,決心通過實驗將屍體殘骸重新拼接讓其復活
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