劇情：
Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake: Death Takes A Holiday (1971)
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安德魯·加菲爾德 弗洛倫絲·皮尤 亞當·詹姆斯 伊芙·海因德 瑪拉馬·科利特 格蕾絲·莫洛尼 吉安尼·卡爾切蒂 希瑟·克蘭妮 尼基爾·帕爾瑪 Laura Guest Kevin Brewer Gabriel Robinson Daniel Bowerbank Roe Haven Megan Haly Emilija Senavaityte Robert Eames Lee Braithwaite Kara Lynch Karen Smyth
阿爾穆特（弗洛倫斯·普）和托比亞斯（安德魯·加菲爾德）在一次意外邂逅中走到一起，改變了他們的生活。 在影片導演約翰·克勞利這部跨越十年、感人至深的浪漫愛情片中，當他們踏上一條受時間限制挑戰的道路時
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萊昂納多·迪卡普里奧 凱特·溫絲萊特 比利·贊恩 凱西·貝茨 弗蘭西絲·費舍 格勞瑞亞·斯圖爾特 比爾·帕克斯頓 伯納德·希爾 大衛·沃納 維克多·加博 喬納森·海德 蘇茜·愛米斯 劉易斯·阿伯內西 尼古拉斯·卡斯柯恩 阿那託利·薩加洛維奇 丹尼·努齊 傑森·貝瑞 伊萬·斯圖爾特 艾恩·格拉法德 喬納森·菲利普斯 馬克·林賽·查普曼 理查德·格拉翰 保羅·布賴特威爾 艾瑞克·布里登 夏洛特·查頓 博納德·福克斯 邁克爾·英塞恩 法妮·佈雷特 馬丁·賈維斯 羅莎琳·艾爾斯 羅切爾·羅斯 喬納森·伊萬斯-瓊斯
1912年4月10日，號稱 “世界工業史上的奇蹟”的豪華客輪泰坦尼克號開始了自己的處女航，從英國的南安普頓出發駛往美國紐約。富家少女羅絲（凱特•溫絲萊特）與母親及未婚夫卡爾坐上了頭等艙；另一邊，放蕩不羈的少年畫家傑克（萊昂納多·迪卡普里奧）也在碼頭的一場賭博中贏得了下等艙的船票。
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上升的紐約建築師瑪戈特意外繼承英國莊園。在國外擁抱聖誕節傳統,她發現愛和歸屬感重塑了她的生活。這個故事似乎不連貫,或者也許我的意思是,它似乎沒有真正的流動。瑪戈特的紐約生活與她的英國莊園生活不協調。瑪
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